Farnley Hey represents a fine example of the eclectic mode of British Modernism. Designed in 1954 by the architect Peter Womersley (intended as a wedding present for his brother), the house occupies a prime position on the edge of the Pennines, a site it exploits with tall windows in the majestic living area.

The composition is a spirited, playful assemblage of forms and materials that evokes the optimism of the age of its construction, as well as the influence of Frank Lloyd Wright and Le Corbusier.

Wood cladding, York-stone floors, Formica panelling, period patterned tiles, brick, slender steel balustrades and built-in furniture all combine to create a harmonious and original structure. The house was one of the first post-war buildings to be listed and remains in remarkable condition.

Photography: Tim Crocker

Our ‘From the Archive’ series takes excerpts and images from ‘The Modern House’ by Jonathan Bell, Matt Gibberd and Albert Hill – a publication written and produced to celebrate our 10th anniversary. Produced in 2015, this book offers our own distinctive snapshot of what it means to live in a modern way in Britain.